出版社: Gagosian / Rizzoli (2016年2月2日)

精装: 84页

语种： 英语

条形码: 9780847847266

商品尺寸: 25.1 x 1.5 x 29.7 cm

商品重量: 567 g

"I didn’t want them to be anything, to have the graspability of a figure or a statue. They had to be something that you really took time to understand visually and emotionally." —Anthony Caro

This catalogue presents fourteen early sculptures by the late artist, many of which had never before been shown in the United States. Documented in vivid color photographs, these exuberant sculptures depict Anthony Caro’s decision to bypass representational imagery, and to use bright colors to synthesize the bolted and welded metal parts that replaced it. Along with installation shots and historical photographs, this vibrant book includes a brand-new essay from Tim Marlow that tracks Caro’s development as a sculptor, as well as Rosalind Krauss’s 1967 Art International article on the artist and the nature of sculpture. This catalogue is published in conjunction with Caro’s 2015 show at Gagosian Gallery Beverly Hills.

这份目录详细介绍14由已故艺术家的雕塑，其中有许多以前从未在美国展示过。这些生动的彩色照片记载着生气勃勃雕塑，描绘安东尼卡罗决定绕过代表性的图像，并使用鲜艳的颜色合成的螺栓连接和焊接金属零件替换它。安装的镜头和历史照片，这本充满活力的图书还有来自蒂姆·马洛一个全新的文章，追溯卡罗作为一个雕塑家的发展，以及罗莎琳德克劳斯的1967年国际艺术家发表的艺术物品文献和雕塑的本质。这个目录会在高古轩画廊比佛利山庄卡罗的2015年展览中公布。

Tim Marlow is an acclaimed writer, broadcaster, art historian, and director of exhibitions at White Cube in London. He has written extensively on British art and culture.

蒂姆·马洛是一个**的作家，主持人，艺术史学家还是伦敦白立方画廊的展览主管。他曾撰写了大量关于英国艺术和文化。

An American art critic and theorist, Rosalind Krauss is a professor of twentieth-century art and theory at Columbia University and one of the founding editors of October, a journal of contemporary art criticism and theory.

一位美国艺术评论家和理论家，罗莎琳德·克劳斯是在哥伦比亚大学和二十世纪的艺术和理论教授十月的创始编辑之一，当代艺术批评和理论刊物。

美国艺术评论家和理论家,罗莎琳德·克劳斯是哥伦比亚大学二十世纪艺术和理论教授，还是十月，当代艺术批评和理论的创作者。