开创性艺术家的近代作品和海报和他凯旋而归的作品街头艺术的根和壁画，所有作品从未出版过。谢帕德·费瑞高出滑板运动，在80年代创作了“巨人安德烈”张贴纸运动，并取得了主流认可,这是大多数街头艺术家永远找不到的。费瑞的“希望”海报，创作于2008年奥巴马竞选总统期间，这个是可以说是自“UncleSam（山姆大叔）”以来美国最标志性的形象。费瑞已经成为流行文化偶像，尽管他一直坚守着自己的街头艺术的根。

OBEY：变相地公开展示他从纸上作品演进到国际宏大的艺术装置，跨文化的艺术作品和音乐/艺术合作。这本书还包括他无处不在的街头穿着和记述了他的回归到公共艺术品。他的签名政治,街头文化,艺术使费瑞不像其他亚文化/街头艺术家现在的工作。

这本书展示了他在过去几年大量显著的艺术创造：街头壁画，混合媒体装置艺术/音乐活动，无数的丝网版画和他非常成功OBEY品牌。

The seminal artist's recent art and poster works, and his triumphant return to his street-art roots with murals, all in work never before published. Shepard Fairey rose out of the skateboarding scene, creating his Andre the Giant Has a Posse sticker campaign in the late '80s, and has since achieved a mainstream recognition that most street artists never find. Fairey's Hope poster, created during Obama's 2008 presidential campaign, is arguably the most iconic American image since UncleSam. Fairey has become a pop-culture icon himself, though he has remained true to his street-art roots. OBEY: Covert to Overt showcases his most recent evolution from works on paper to grander art installations, cross-culturalartworks, and music/art collaborations. The book also includes his ubiquitous streetwear and chronicles his return to public artworks. His signature blend of politics, street culture, and art makes Fairey unlike any other subculture/street artist working today.

This book showcases the significant amount of art he has created the last several years: street murals, mixed-media installations, art/music events, count less silk screens, and work from his extremely successful OBEY brand.