THE NARRATIVE OF ART
As creative medium specialists from the Institute of Creative Communications, we are constantly being challenged of the questions like: “what is the ultimate medium for creativity?”; “How can we design different media in order to serve the content that is also being designed to together communicate with the audience?” “What is the real way of a specific form of art/design interacting with various kinds of expectations from different parts of the public?”, “how does the working medium shape the creators’ creation process?” and etc.
All of these questions start with the basic visions of understanding the differences between Art and Design: the mechanism of creative flow, interactions between creators and audience, the starting point of creative communication and etc. This issue will take you from here.

《記敘藝術》
作 為創意傳達研究院的創意媒介專家，我們每天都在研究行行色色的問題，其中就包括：“創意最為**的傳播媒介到底是什麼？”“我們如何才能設計出不同媒體， 可以讓它傳播同樣是被設計的內容，從而兩者一起完成與受眾的溝通？”“某一種藝術或設計的形式是如何和公眾中不同類型的期待完成互動的？”“創作者的工作 媒介是如何影響著創作的過程的？”等問題。
然而這些問題都起始于一些觀察藝術和設計的基本角度：創意流動的機制，創作者和受眾的互動，創意傳播的初衷等等。本期我們就從這裡開始。

【NEWS】豐富的設計資訊

【FEATURES】圍繞“記敘藝術”主題展開的cover feature系列專題，包括藝術節品牌盛宴、戲劇品牌創新、電影品牌與海報以及畢業展主視覺形象設計。

【REPORTS】深入的行業觀察文章和專欄，包括樂高藝術媒介、品牌聲音化、蒙納專欄以及2014傳播設計畢業展。

【THE COMMUNITY】互動環節：創意社區