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G054B-Magazine(Korea) -共5期 2021年02期 NO.87 TIKTOK
Price定价:
165.00
ISBN条码: 9798998415906
Language版别: 期刊Magazine
Category分类: 期刊杂志Magazine
Pub Date出版日期: 2021-9-1
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Brand Documentary Magazine

Magazine B No.87 TIKTOK


   


Category

Magazine

Publisher B Media Company | 170 X 240mm, 152 pages

Price KRW 19,000 | ISBN: 979-11-6036-134-6 03050

Date of Publication Sep 8, 2021

Editing and Marketing B Media Company



■ About the Publication


Magazine B is an ad-free monthly publication that dedicates each issue to one well-balanced brand unearthed from around the globe. The magazine introduces the brand’s hidden stories, as well as its sensibility and culture, and is an easy but also serious read for anyone with an interest in brands.


■ About the Issue

Welcome to the 87th issue of B.

If asked what improves quality of life, most people think of travel, good food, shopping, outdoor activities, or getting together with like-minded people. And we label the time we spend on these things as “quality time” too. During the past decade, the idea of worklife balance has emerged, and as more people have become accustomed to exposing their lives in part— or, for some, in whole—on social media, many have started to think that they should spend their personal time more productively. But I would argue that there is something just as essential as productive quality time that often gets overlooked: boring, idle moments that have no particular input or output. I personally believe that these moments contribute significantly to a person’s happiness or level of life satisfaction. After all, a few morsels of these moments are what make up an “average life.”

The history of unproductivity might be as old as human evolution itself, but mass media has long portrayed such activities as a sign of incompetence. Even new media platforms do not tolerate the idea of being unproductive. Pushed out of the frame by the overbearing presence of information, insight, self-aggrandization, or controversy, these banal life moments are thought of as something left behind in childhood. Without this issue’s brand focus—TikTok— we would probably never have realized the value of these moments. (OK, that might be a bit of an exaggeration.)


TikTok is a social media platform used to make shortform videos. Sparking enthusiastic responses first in the US, the app gained popularity with out-ofcontext, slightly weird, unfiltered vertical videos. Users challenge each other to unscrew a water bottle cap with a single roundhouse kick, make cereal out of tiny pancakes, or do funny group dances with family and friends. And these videos go absolutely viral, reaching hundreds of thousands of other users. It is no wonder why celebrities or famous artists develop alter egos on TikTok that are different from their other social networking accounts. Now, even brands and ad agencies are studying the service or have their employees become content creators.


It would be a big mistake to simply write this app off as a fad. TikTok, seated at the epicenter of fad creation, has more meticulous purposes and plans than any other digital platform. From the moment it is opened, the app unfurls a constant feed of new and intriguing videos regardless of the number of followers or following accounts. Aside from. a convenient watching experience, the app smartly enables users to create videos with minimal movement. And that is not all. In the world of creation, reproducing or duplicating original content is highly frowned upon, but TikTok has turned that idea on its head, spawning a culture built on the app’s special features. It could be said that TikTok is a prime example of how form defines the. content, and that form faithfully follows the human instinct to play. In the end, all this reminds me of a quote by philosopher Martin Heidegger: “It plays, because it plays. The ‘because’ withers away in the play. The play is without ‘why.’”


Eunsung Park 

Content & Editorial Director


■ Table of contents

02 INTRO


08 EDITOR'S LETTER


12 CHALLENGES

The challenge culture leads trends du jour through video creating and sharing


26 OPINION: VIRGINIA HEFFERNAN

One cultural critic praises TikTok’s optimistic worldview


32 USER MANUALS

Get to know the user-friendly interface on which filming, sharing, and playing videos happens in a just a few taps


40 KEY ELEMENTS

Key digital terms that offer insight into the rising mobile generation


44 OPINION: SEAN KIM

TikTok’s head of product backs the platform as a super app


48 TIKTOK GENERATION

Creators unleash their creativity via shortform videos


70 DICTIONARY

Thirty-two words and expressions often used in the TikTok ecosystem


76 HALL OF FAME

TikTok teaches some old dogs new tricks


88 OPINION: SEUNGYEON KIM

The general manager of global business solutions in TikTok Korea talks about TikTok’s adaptability in the digital market


92 TRANSITION

Legacy media giants search for new ways to stay afloat the mobile era with TikTok


102 ENTERTAINMENT

A glance at TikTok’s revolutionary marketing solutions in the entertainment industry


110 BRAND STORY

The success story of an app that promotes self-discovery over social networking


118 PARTNERS

TikTok forges new partnerships as a move to evolve into a business platform


120 INTERVIEW: NICK TRAN, KUDZI CHIKUMBU

Global Head of Marketing Nick Tran and Director of Creator Community Kudzi Chikumbu talk about the vision and future direction of TikTok


126 CREATIVE WORKSPACE

TikTok’s organizational culture and LA office interior design that reflect the brand’s mission “to inspire creativity and bring joy.”


132 ALL-ROUNDERS

TikTok employee creators talk about their work environment


136 DIGEST

Incredible numbers and attributes that set TikTok apart from other social media platforms


140 REFERENCES

Books, videos, and more that break down the digital media ecosystem


151 OUTRO

■ Content Images

P 10 – Contents


P 26 – Opinion (Virginia Heffernan)


P 32 – User Manuals


P 48 - TikTok Generation


P 76 – Hall of Fame


P 92 – Transition


P 102 - Entertainment


P 120 – Interview (Nick Tran)


P 126 - Creative Workspace


P 132 – All-Rounders