凯勒•罗伯茨挖掘了家庭生活的点点滴滴，讲述了身兼母亲、女儿、妻子和艺术家四个身份的生活的意义，令人感动又趣味十足。这些漫画一种平淡无奇而又迷人的节奏展开，模仿了生活的尴尬节奏，所有人的缺点都没逃过凯勒•罗伯茨的画笔，其中大多数是作者自己的缺点。

当罗伯茨考虑是否要给吊扇除尘时，这件事能引起很多人的共鸣。她可能沉浸在与女儿玩芭比娃娃的戏剧性场面中，并会马上摆脱抑郁，振作起来。一两年后，她的女儿提起她为度过难关而撒的小谎，虽然这些谎言无害，但罗伯茨会毫不犹豫地要求，她在女儿身边的时候，她女儿想象中的朋友不要来访。她的多发性硬化症诊断一直出现在背景中，但从未成为这部漫画的焦点。

Keiler Roberts mines the passing moments of family life to deliver an affecting and funny account of what it means to simultaneously exist as a mother, daughter, wife, and artist. Drawn in an unassuming yet charming staccato that mimics the awkward rhythm of life, no one’s foibles are left unspared, most often the author’s own.

When Roberts considers whether or not to dust the ceiling fan, it’s effectively relevant. She can get lost in the rewarding melodrama of playing Barbies with her daughter and will momentarily snap out of her depression. Her harmless fibs to get through the moment are brought up by her daughter a year or two later, yet without hesitation Roberts will request that her daughter’s imaginary friend not visit when she is around. Her MS diagnosis lingers in the background, never taking center stage.

In My Begging Chart, her most encompassing work yet, Keiler meditates on routine and stillness. The vignettes of her everyday life exude immense presence, making her comics thoroughly relatable and reflective of our all-too-human lives as they unfold with humour, sadness, and relieving joy. In transporting these stories onto paper, Keiler observes, and at times relishes, a fleeting present.