《彩色立体主义：胡安•格里斯的静物画》介绍了这位艺术家短暂而多产的艺术生涯，阐明了他对立体主义的突破性贡献。

作为对格里斯静物画的一次彻底研究，《彩色立体主义》对这位未受到充分赏识的艺术家进行了重要的重新评价，重新确立了他作为现代主义大师的地位。这本图文并茂的书通过精选的关键作品描述了格里斯的审美和静物画法的演变。它包括由该领域的**学者撰写的原创文章，对格里斯难以捉摸的艺术过程、在美国和他的祖国西班牙收集其作品的历史以及他在现代和当代拉丁美洲艺术中的艺术遗产发表了新的见解。

Juan Gris (1887–1927) was central to the development of Cubism in the early 20th century. Though the writer and art collector Gertrude Stein considered him a “perfect painter,” Gris’s pivotal role within the movement has often been overshadowed. Cubism in Color: The Still Lifes of Juan Gris reveals the virtuosic range of the artist’s short yet prolific career, illuminating his boundary-pushing contributions to Cubism.

As a thorough examination of Gris’s still lifes, Cubism in Color provides an important reassessment of this underappreciated artist, reestablishing his position as a modernist master. This fully illustrated volume traces the evolution of Gris’s aesthetic and approach to still life through a selection of key works. It includes original essays by leading scholars in the field, offering new insights on Gris’s elusive artistic process, the history of collecting his work in the United States and his native Spain, and his artistic legacy within modern and contemporary Latin American art.