从路易丝`布尔乔亚与弗洛伊德精神分析的关系出发，探讨她的艺术和写作

从1952年到1985年，路易丝`布尔乔亚（1911-2010）接受了广泛的弗洛伊德分析，这些分析探究了她的家庭史、婚姻、母亲身份和艺术抱负——并为她的艺术作品提供了灵感。本书研究了精神分析对布尔乔亚作品的影响，对她的创作过程发表了深刻的见解。菲利普•拉拉特-史密斯（Philip Larratt-Smith）是布尔乔亚的文学档案管理员，他概述了这位艺术家的生活和工作，以及精神分析过程如何渗透于她的艺术实践。朱丽叶•米切尔（Juliet Mitchell）的一篇文章以一个前沿的女性主义精神分析学家的身份就这位艺术家与治疗的长期而复杂的关系发表了看法。此外，布尔乔亚撰写的一篇短文（1991年首次发表）论述了弗洛伊德本人与艺术和艺术家的关系。《路易斯•布尔乔亚，弗洛伊德的女儿》收录了布尔乔亚大量的日记片段、罕见的笔记本页面和家庭档案照片，为了解这位具有创新精神、影响力和开创性的艺术家开辟了一条令人振奋的新途径。她的广泛作品不仅包括**的大型雕塑，还包括大量的绘画和版画。

An exploration of the art and writing of Louise Bourgeois through the lens of her relationship with Freudian psychoanalysis

From 1952 to 1985, Louise Bourgeois (1911–2010) underwent extensive Freudian analysis that probed her family history, marriage, motherhood, and artistic ambition—and generated inspiration for her artwork. Examining the impact of psychoanalysis on Bourgeois’s work, this volume offers insight into her creative process. Philip Larratt-Smith, Bourgeois’s literary archivist, provides an overview of the artist’s life and work and the ways in which the psychoanalytic process informed her artistic practice. An essay by Juliet Mitchell offers a cutting-edge feminist psychoanalyst’s viewpoint on the artist’s long and complex relationship with therapy. In addition, a short text written by Bourgeois (first published in 1991) addresses Freud’s own relationship to art and artists. Featuring excerpts from Bourgeois’s copious diaries, rarely seen notebook pages, and archival family photographs, Louise Bourgeois, Freud’s Daughter opens exciting new avenues for understanding an innovative, influential, and groundbreaking artist whose wide-ranging work includes not only renowned large-scale sculptures but also a plethora of paintings and prints.