布鲁姆斯伯里文化圈是一个松散的集体，由伦敦具有前瞻性思维的作家、艺术家和知识分子组成，弗吉尼亚•伍尔夫、约翰•梅纳德•凯恩斯和E.M.福斯特是其中备受尊敬的成员。这个团体的作品和激进的信念横跨文学、经济学、政治学和不合乎规范的关系，改变了20世纪文化和社会的进程。虽然其成员抵制定义，但他们的艺术和衣着却透露出一种连贯的、独特的群体身份。

《布鲁姆斯伯里风格》利用未公开的照片和广泛的新研究，首次深入分析了布鲁姆斯伯里文化圈的诞生，并传播了其自成时尚的美学。有一章专门讨论摄影，因为摄影对该集团的视觉叙事至关重要——从随意的快照，到业余的工作室肖像，再到家庭相册。其他章节则研究了作为设计中心的欧米茄工坊（Omega Workshops），以及其礼服系列的证据，将布鲁姆斯伯里的美学传播给大众。最后，本书思考了该集团体作为艺术家、模特、策展人、评论家和收藏家广泛参与20世纪现代主义的情况。
An in-depth study of how the famed Bloomsbury Group expressed their liberal philosophies and collective identity in visual form

The Bloomsbury Group was a loose collective of forward-thinking writers, artists, and intellectuals in London, with Virginia Woolf, John Maynard Keynes, and E. M. Forster among its esteemed members. The group’s works and radical beliefs, spanning literature, economics, politics, and non-normative relationships, changed the course of 20th-century culture and society. Although its members resisted definition, their art and dress imparted a coherent, distinctive group identity.

Drawing on unpublished photographs and extensive new research, The Bloomsbury Look is the first in-

depth analysis of how the Bloomsbury Group generated and broadcast its self-fashioned aesthetic. One chapter is dedicated to photography, which was essential to the group’s visual narrative—

from casual snapshots, to amateur studio portraits, to family albums. Others examine the Omega Workshops as a design center, and the evidence for its dress collections, spreading the Bloomsbury aesthetic to the general public. Finally, the book considers the group’s extensive participation in 20th-

century modernism as artists, models, curators, critics, and collectors.