19世纪末，许多俄罗斯艺术家从法国印象派画家的风格中找到了灵感。通常情况下，巴黎之旅是他们对这一运动产生浓厚兴趣的催化剂。他们形成了一种对户外写生的偏好，并想要通过自发和自由地运用画笔来描绘短暂的效果。后来俄罗斯前卫派的许多主要画家都是因为学习了印象派对光线的运用而形成了自己的风格。这本图文并茂的书探讨了法国印象派从19世纪80年代到20世纪20年代对俄罗斯艺术演变的多层次影响，包括伊利亚•雷平、瓦伦丁•谢罗夫、康斯坦丁•科罗文、娜塔莉娅•冈察洛娃和卡齐米尔•马列维奇等不同画家的作品。该领域许多**学者的文章对俄罗斯现代主义最引人入胜的篇章之一提出了丰富的新见解。

In the late 19th century, numerous Russian artists found inspiration in the style of French Impressionist painters. Often, a journey to Paris acted as a catalyst for their burgeoning interest in the movement. They developed a preference for working en plein air and aimed to capture transitory effects through a spontaneous and free handling of the brush. Many leading painters of the later Russian avant-

garde arrived at their individual styles due to studying the Impressionist use of light. This lavishly illustrated volume explores the many-

layered ways French Impressionism influenced the evolution of Russian art from the 1880s to the 1920s, including the work of painters as diverse as Ilya Repin, Valentin Serov, Konstantin Korovin, Natalia Goncharova, and Kazimir Malevich. Essays by many of the leading scholars in the field provide rich new insights into one of the most intriguing chapters of Russian modernism.