Guido Guidi的《月亮的诗》（Lunario）是一个跨越数十年的项目，以一本传统农民的年鉴为名，汇集了许多与月亮有关的作品。扭曲，实验和幻想渗透在Guidi在20世纪60年代末和20世纪70年代初的早期作品中，并因为鱼眼镜头的使用得到进一步发展。月亮的物理形态在所有作品中重复出现：女人的脸上，或者一个困在光与影之间的孩子玩的球上。20世纪80年代，Guidi拍摄的贫瘠的月球景观被彩色照片所取代。在整个《月亮的诗》（Lunario）中，Guido Guidi再次回到月球这个主题，将它作为文体和主题灵感的来源：忧郁和疯狂的象征，多变，并不断提醒人们普通生命的短暂。

A project composed across several decades, Guido Guidi's Lunario takes the name of a traditional farmer’s almanac to bring together several strands of work all relating to the moon. Distortion, experimentation and illusion inform Guidi’s earlier work of the late 1960s and early 1970s, further developed by the introduction of a fish-eye lens. The moon’s physical form echoes throughout the works: in a woman’s face, or a child’s playing ball caught between light and shadow. Guidi’s barren, lunar landscapes give way in the 1980s to colour photographs, all of which culminate in the dramatic partial solar-

eclipse of August 11, 1999. Throughout Lunario, Guido Guidi comes back to the moon as a source of stylistic and thematic inspiration: a symbol of melancholy and madness, changeability and a constant reminder of the transience of everyday life.