本****的书阐释了一幅非常特别的作品曾梵志的《无题（2018）》的完整绘画过程和发展。作为“抽象风景画”系列的一部分，这幅画被洛杉矶县艺术博物馆（LACMA）**收藏。本书对曾梵志18年的抽象绘画实践进行了全面概述，特别突出了该系列的最新变化。

它包含表现该作品创作过程的180张高分辨率图像，从一块普通的帆布开始，到油漆层的应用，再到对不同调色板和笔触的精心混合和分层，最终形成一幅复杂的画作。这本书本身为读者提供了一个详细了解曾梵志的抽象画如何逐步发展的机会，就像他们置身于他的画室中一样。它展示了以前从未公开过的重要材料，这些材料概述了这位画家有趣的绘画实践。

这本书包括Michael Govan和LACMA的研究人员撰写的文章，以及对这位画家研究和分析了近十年的Richard Shiff博士的一篇供稿。
This unique book illustrates the complete painting process and development behind a singular work, Zeng Fanzhi's Untitled (2018). Part of the Abstract Landscape series, it was acquired in the permanent collection of the Los Angeles County Museum of Art (LACMA). The volume provides a comprehensive eighteen-year overview of Zeng's painting practices in abstraction, pinpointing the latest changes within the series in particular.

It features more than 180 high-

resolution images of the painting process, starting from a plain canvas fabric, to the application of layers of paint, down to the meticulous intermingling and layering of different color palettes and strokes, ending in a complex pictorial presentation. As such, it offers the reader an intimate glimpse into how Zeng's abstract art is gradually developed, as if one were in the artist's studio. It presents primary, never-before-

seen materials that form an overview of the artist's intriguing painting practice.

The book includes essays by Michael Govan and researchers from LACMA, as well as a contribution from Dr. Richard Shiff, who has been researching and analyzing the artist for nearly a decade.