这本具有启发性的出版物为Cy Twombly的杰作《在伊利亚姆的50天》（1978年）提供一次全面和多面的记录，这部杰作由十幅根据亚历山大•波普在18世纪翻译的荷马的《伊利亚特》而创作的油画组成。由艺术史学家和希腊罗马研究学者组成的小组撰写的文章探讨的主题包括：绘画对古代文学和文化的参考，以及Twombly对特洛伊战争主题的广泛涉及，该主题最早出现在他的20世纪60年代初期的作品中， 是他在整个职业生涯中多次回归的主题。对这位艺术家在工作中的**手记录是对这些文章的补充。油画的影像，相关的素描和雕塑与之前未公开的照片结合在一起，展示了这些作品完成时，《在伊利亚姆的50天》在这位。
艺术家工作室里的样子。

William Hunter and the Anatomy of the Modern Museum accompanies a groundbreaking exhibition organized by the Hunterian at the University of Glasgow, in collaboration with the Yale Center for British Art, to celebrate the 2018 tercentenary of The Hunterian’s founder, Dr. William Hunter (1718–1783). This publication is the first in 150 years to assess the contribution made by Hunter, the Scottish-born obstetrician, anatomist, and collector, to the development of the modern museum as a public institution.

Essays examine how Hunter gathered his collection to be used as a source of knowledge and instruction, encompassing outstanding paintings and works on paper, coins and medals, and   anatomical and zoological specimens. Hunter also possessed ethnographic artifacts from Spain, the Middle East, China, and the South Pacific, and was an avid collector of medieval manuscripts and incunabula; these were all located within one of the most important “working” libraries of eighteenth-century London.