妇女在战争的最前线已经有一个多世纪了。由于能够进入男人无法进入的地方，为战争拍照的女人对冲突的后果具有着独特的见解。从日常生活的亲密目睹到战争的暴行，这个展览目录揭示了八位女摄影师对战时新闻摄影的贡献的深度和广度。每位摄影师都通过一篇简短的内容丰富的文章进行介绍，随后附上了她们的精选作品的复制品。其中包括李•米勒（Lee Miller）的图像，她记录了达豪（Dachau）和布痕瓦尔德（Buchenwald）的解放。凯瑟琳•勒罗伊（Catherine Leroy）是首位跳伞进入越南的女记者。苏珊•梅瑟拉斯（Susan Meiselas）引起了国际社会对萨摩萨政权在尼加拉瓜的灾难性影响的认识。德国记者Anja Niedringhaus在1990年代几乎参与过20世纪90年代所有重大冲突的报道（从巴尔干半岛到伊拉克利比亚，从伊拉克到阿富汗）。 Carolyn Cole，FrançoiseDemulder，Christine Spengler和Gerda Taro的作品完善了这次对压力下的勇气和面对战争的人道精神的介绍。

Discover eight remarkable women war photographers who have documented harrowing and unforgettable crises and combat around the world for the past eighty years.

Women have been on the front lines of war for more than a century. With access to places men cannot go, the women who photograph war lend a unique perspective to the consequences of conflict. From intimate glimpses of daily life to the atrocities of war, this exhibition catalog reveals the range and depth of eight women photographers' contributions to wartime photojournalism. Each photographer is introduced by a brief, informative essay followed by reproductions of a selection of their works. Included here are images by Lee Miller, who documented the liberation of Dachau and Buchenwald. The first woman journalist to parachute into Vietnam, Catherine Leroy was on the ground during the Tet Offensive. Susan Meiselas raised international awareness around the Somoza regime's catastrophic effects in Nicaragua. German reporter Anja Niedringhaus worked on assignment in nearly every major conflict of the 1990s, from the Balkans to Libya, Iraq to Afghanistan. The work of Carolyn Cole, Françoise Demulder, Christine Spengler, and Gerda Taro round out this collective profile of courage under pressure and of humanity in the face of war.