本书回顾了美国“光与空间运动”的主要人物拉里•贝尔（Larry Bell），并介绍了他的全部作品，包括以前被忽略的作品。

近六十年来，拉里•贝尔（Larry Bell）一直在用玻璃，纸或聚酯薄膜来捕获光。这本书描述了贝尔雕塑创作的悠久历史——从他在威尼斯海滩的根源和他早期的立方体到他对各种意想不到的技术媒体的涉猎。它特别向Bell在60年代，70年代和80年代在建筑，空间和设计领域所做的探索——这些实验通常采用时效短暂和沉浸式的装置艺术的形式——表达了敬意。这本插图丰富的书充分揭示了贝尔在战后美国获得的技术可能性，并断言他是美国最具冒险精神艺术家。

与迈阿密当代艺术研究所合作出版

This book accompanies a retrospective of Larry Bell, a leading figure in the American Light and Space movement, and presents his entire oeuvre, including previously overlooked works.

For nearly six decades, Larry Bell has been capturing light--in glass, on paper, or with Mylar sheets. This book traces the long arc of Bell's sculptural production--

from his roots in Venice Beach and his early cubes to his forays into various unexpected technological media. It pays special tribute to the architectural, spatial, and design explorations Bell undertook during the 60s, 70s, and 80s--experiments that often took the form of ephemeral and immersive installations. Generously illustrated, this book reveals Bell fully exploring the technological possibilities made available in postwar America and asserts his position as one of America's most adventurous living artists.

Published with the Institute of Contemporary Art, Miami