近幾年，海內外名為藝術書展的大型藝術集會紛紛興起——從倫敦、東京、首爾、新加坡，再到北京、上海，這裡聚集著全球各地的出版機構、獨立書店、藝術家和愛好者。藝術書展本是小眾藝術文化、青年文化等亞文化的碰撞陣地，但其浩浩蕩蕩的進場隊伍及摩肩接踵的館內人群讓人無法再忽視這股所謂“小眾”的力量。由此，Design360°本期雜誌以“藝術書展”為索引，期望探尋這種藝術集會背後所蘊藏的生命力所在，及其揭示的時代之思。

In recent years, large-

scale art gatherings, which are called art bookfairs, emerge at home and abroad. From London, Tokyo, Seoul and Singapore toBeijing and Shanghai, art book fairs always gather publishing agencies,independent bookstores, artists and art book lovers from around the world.Originally, art book fairs were just places at which subcultures such asnon-

mainstream art cultures and youth cultures were spread. However, thecountless number of people that flooded into these art book fairs makes them nolonger a mere“non[1]mainstream” force. Therefore, this issue of Design360°explores the hidden vigor behind art book fairs and the reflection on this erarevealed by them.