荷兰艺术家Jan Henderikse是二十世纪艺术的关键人物：自20世纪50年代以来，他的作品已经超越了传统的绘画和雕塑概念，重新定义了艺术意象的坐标。自1959年以来，通过在“通体”作品中运用非常规材料和技术来展示他独特的表达。通过寻找日常使用过的物品（如空箱子，瓶子，软木塞，车牌，硬币，钞票，玩具零件，找到的照片等），他认为这些物品充满了人类和情感内容，Henderikse将它们融入组合，序列和多媒体装置，以显示其直接力量的重要性。

Dutch artist Jan Henderikse is a pivotal figure in twentieth-century art: since the 1950s, his work has developed beyond the traditional notions of painting and sculpture, to redefine the coordinates of artistic imagery. First, by neutralizing the surface into the monochrome; then, since 1959, by employing unconventional materials and techniques in “allover” compositions that mark his distinctive language. Looking for everyday used objects (such as empty crates, bottles, corks, license plates, coins, bills, parts of toys, found photographs, and others), which he perceives as loaded with human and emotional content and interest, Henderikse combines them into assemblages and serial accumulations, sequences and multimedia installations, in order to show the immediate power of their significance.