作为一本“生活日记“，domus于1928年由伟大的米兰建筑师和设计师吉奥•庞蒂创办，且被誉为世界上最具影响力的建筑和设计杂志。其风格严谨，在工业、室内、产品、结构设计等方面都有重要的主题和风格上的变化。

此书是70年代的domus报道的最新翻版，汇集了标志建筑和设计迅速变化时代最重要的特征。那时，个人主义作为一种新奇的方式获得了动力，我们开始注意到**个后现代主义倾向。面对全球能源危机，建筑师和设计师们给他们的方法灌输了新的生态意识。

为了让作品在杂志中出现，它必须提供功能、空间清晰度、智力说服、相关创意和/或优雅。那些具有开创性的项目和实践者们，包括了Shiro Kuramata, Verner Panton, Joe Colombo, Richard Meier, 福斯特协会的现代主义结构以及由伦佐钢琴和理查德罗杰斯设计的乔治蓬皮杜中心.

Founded in 1928 as a "living diary" by the great Milanese architect and designer Gio Ponti, domus has been hailed as the world's most influential architecture and design journal. With style and rigor, it has reported on the major themes and stylistic movements in industrial, interior, product, and structural design.

This fresh reprint of the 1970s domus coverage brings together the most important features from an era marking seismic changes in architecture and design. It was a time when individualism gained momentum as a novel style, and we began to notice the first postmodernist tendencies. Faced with the global energy crisis, architects and designers imbued their methods with a new ecological awareness.

For work to be featured in the magazine it had to offer function, spatial clarity, intellectual persuasion, relevant originality, and/or grace. Those groundbreaking projects and practitioners that made the cut include Shiro Kuramata, Verner Panton, Joe Colombo, Richard Meier, the modernist structures by Foster Associates and the Centre Georges Pompidou by Renzo Piano and Richard Rogers.

domus distilled Bibliotheca Universalis brings together nearly 100 of our all-time favorite titles in a neat new format so you can curate your own affordable library of art, anthropology, and aphrodisia.
Bookworm's delight -- never bore, always excite!

Text in English, French, German, and Italian